斯蒂
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杰赫米·克拉潘
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Written by the director himself, the story revolves around an “absent” hero: an astronaut lost in the emptiness of space. His absence is spoken about indirectly here, from planet Earth. He was the nation’s son, loved and admired by all. But he’s primarily always on the mind of his little sister Elsa, who’s the real “fully present” heroine in this story. Elsa has lived her life and her childhood by proxy, sustaining herself off the dreams and ambitions of her older brother and hero. He was her point of reference and her daily inspiration. While he floats around, somewhere up there, in the ether, Elsa also drifts, right here on Earth…
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瑞恩·墨菲
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Ryan Murphy dropped a t北京爱情故事下载地址easer for a new series titled Grotesquerie in an Instagram post (see it below) on Friday. According to the post, it will star Niecy Nash-Betts — who has worked with Murphy several times before and is coming off an Emmy win for Monster: The Jeffrey Dahmer Story — Courtney B. Vance and Lesley Manville and is set to premiere in the fall. The teaser features Nash-Betts’ voice, sounding very disturbed about a crime scene: “I don’t know when it started. I can’t put my finger on it. But it’s different now. There’s been a shift. It’s like something’s opening up in the world — a kind of hole to the center of nothingness. What I saw today — they sent shrinks for everyone who worked this cr夏家三千金全部歌曲ime scene. You think, ‘Well hon, evil has always existed,’ and cite some statistic about how the world’s getting better, less murder, more help, less global horror, never been a better time to be alive, honey.” Her voice cracking, Nash-Betts (or rather, her character) concludes by saying, “Come back. It’s not getting better. And I keep needing to hear your answers, because something’s happening around us, and nobody sees but me.”
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瑞恩·墨菲
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Ryan Murphy dropped a teaser for a new series titled Grotesquerie in an Instagram post (see it below) on Friday. According to the post, it will star Niecy Nash-Betts — who has worked with Murphy several times before and i08版金瓶梅s coming off an Emmy win for Monster: The Jeffrey Dahmer Story — Courtney B. Vance and Lesley Manville and is set to premiere in the fall. The teaser features Nash-Betts’ voice, sounding very disturbed about a crime scene: “I don’t know when it started. I can’t put my finger on it. But it’s different now. There’s been a shift. It’s like something’s opening up in the world — a kind of hole to the center of nothingness. What I saw today — they sent shrinks for everyone who worked this crime scene. You think, ‘Well hon, evil has always existed,’ and cite some statistic about how the world’s getting better, less murder, more help, less global horrorccyyy, never been a better time to be alive, honey.” Her voice cracking, Nash-Betts (or rather, her character) concludes by saying, “Come back. It’s not getting better. And I keep needing to hear your answers, because something’s happening around us, and nobody sees but me.”
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彼得·考斯明斯金
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1536年5月，安妮·博林，亨利的第二任妻子以及她的五个同伙都死了。随着斧头的落下，托马斯·克伦威尔从血腥的屠杀中走出来，继续他向权力和财富的攀升，而他那令人敬畏的主人，亨利则与他的第三任王后简·西摩在一起，过着短暂的幸福生活。 克伦威尔，一个只有头脑可以依靠的人，没有大家庭支持他，也没有私人军队。在这个残酷而血腥的时代，克伦威尔在行使权力的同时，也面临着道德上的复杂性，他陷入了两难的境地: 一方面是做正确的事情的欲望，另一方面是求生的本能。但是在亨利八世处决了他的王后之后，没有人是安全的。 尽管国内叛乱，叛国者在国外密谋，入侵的威胁将亨利政权推向崩溃的边缘，克伦威尔强烈的想象力在未来的镜子中看到了一个新的国家。整个英格兰都在他的脚下，创新和宗教改革的时机已经成熟。但随着命运之轮的转动，克伦威尔的敌人正在阴影中聚集。 不可避免的问题仍然存在: 任何人能在亨利残忍和反复无常的注视下生存多久？
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杰西卡·沙泽尔
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一个派对过后，少女Melinda（克里斯汀·斯图尔特 Kristen Stewart 饰）开始变得沉默寡言。新学期开始，她认识了新同学Heather（Allison Sik春晚魔术揭秘o 饰），尽管她并不喜欢Heather，但她却只能和Heather一起。她原先的那帮好朋友们都认为她在派对上的报警是对他们的一种背叛而疏远她，尤其是她原来最好的朋友Rachel（Hallee Hirsh 饰）也不再和她有来往，整天和她的新男友Andy（Eric Lively 饰)混在一起。语文课上，老师用她蹩脚的英文念她们的名字；生物课上，她和Dave（迈克尔·安格拉诺 Michael Angarano 饰）分在一组；美术课上，老师让她好好学画一棵树；历史课上，老师是个专横的民族主义者......她的世界因为回忆和现实而变得压抑不堪，她开始尝试画一些奇怪的东西。她终于下定决心把事情的真相说出来，到底在派对上她和Andy之间发生了什么事，到底她为什么要报警......她不再沉默。 本片改编自美国作家Laurie Ha上海彩铃网lse Anderson的同名获奖小说。
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弗朗索瓦·欧容
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法国高校文学老师吉尔曼（法布莱斯·鲁奇尼 Fabrice Luchini 饰）给学生布置了一篇周记，要求他们如实记录周末的见闻。在众多乏味的作业中吉尔曼意外发现16岁少年克劳德（恩斯特·吴默埃 Ernst Umhauer 饰）的文章异常精彩。克风流无悔劳德是一个安静的观察者，习 惯坐在教室的最后一排。他的作业是关于偷窥——讲述他如何潜入朋友家中、窥探对方一家生活的故事。吉尔曼被字里行间深深吸引，熄灭已久的文学激情亦被点燃。他不但决定单独辅导才华横溢的克劳德、鼓励他放手创作，还与妻子珍娜（克里斯汀·斯科特·托马斯 Kristin Scott Thomas 饰）一同分享克劳德的作文。然而成年人在阅读过程中竟渐渐忘记了虚构和现实的边界，更懵然不知自己的居室早已房门大开......<爱上北斗星男友 电视剧;br /> 法国鬼才导演弗朗索瓦·欧容曾凭借黑暗惊心的《八美图》、《泳池谋杀案》惊艳世界影坛。在《5×2》、《时光驻留》等温情文艺片后，新片《登堂入室》再次回归欧容最擅长的悬疑惊悚题材。电影改编自西班牙舞台剧《最后一排的男孩》，导演巧妙拼接偷窥文学与扑朔迷离的现实断面，用似真似幻、充满层次感的创作故事挑战情欲道扫黑风暴电影免费观看德禁区。本片入围法国凯撒奖六项大奖，获多伦多电影节国际影评人费比西奖和西班牙圣塞巴斯蒂安电影节最佳影片金贝壳奖，同时入选欧洲年度最佳电影之一。
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杨·英格兰德
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A psychological thriller set in the crossfire of the 1997 historical battle between world chess champion Garry Kasparov and IBM's supercomputer Deep Blue, Rematch is a high-pressure confrontation between man and machine, a war of minds, both on and off the chess board. Based on a true story, Rematch takes us on a gripping journey inside the world of high-level chess competition via one of the greatest man vs. machine matches ever to be played. The event was so important, it prompted the New York Times to print: The future of humanity is on the line.
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皮埃尔·莫瑞尔
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<坛蜜做我的奴隶;p> 艾弗里是中情局秘密特工，在任务中认识了无国界医生大卫并隐瞒身份与之结婚。 一天，大卫被神秘团伙绑架，对方威胁她从一名重犯手中取得情报，赎回丈夫。 艾弗里随即闯入监狱，却发现情报不翼而飞。 名为“黑雀”的文件包含全美高级别官员的秘密资料，如若泄露会引发严重后果。随后，艾弗里绑架了局长埃文斯，成功闯入藏有“黑雀”文件的数据公司。 谁知文件并不是所谓的秘密资料，而是能控制全球互联网流量的超级病毒，有人利用文件勒索各个国家交付赎金。 但艾弗里靠着智慧与勇气拦截了电脑病毒，阻止了一场世界动荡。
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沃尔克·施隆多夫
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Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
