Han
搜索"Han" ,找到 3022部影视作品
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Alix Austin,Keir Siewert
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When Dakota tries to break off her toxic relationship with Axel, it starts transforming him into a monstrous creature. He gradually succumbs to the poison of the decaying relationship, becoming a creature with increased aggression, a touch that melts skin and worst of all, he's contagious.
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Johan Grimonprez
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Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade. Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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Chaysen Beacham
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在18岁生日那天,疏远的父亲用一辆复古车向TJ发起挑战,鼓励他进行一次横跨全国的公路旅行。TJ与一些古怪的同伴踏上了这段充满幽默和坚韧的旅程,逐渐意识到,人生中最漫长的道路也可能通向家的方向。
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Frank Pérez-Garland
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A single mother and the man who has not been able to forget her since she was 23 years old. A woman who yearns to be a mother and a single father in her fifties who only thinks about her. A discouraged man who starts dating a driver who gives love advice on the radio. And a mature woman who comes from Miami looking for new experiences. A crazy and funny musical comedy where the characters will discover that it is never too late to be crazy again of love.
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Heon Kim
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在泰国海边渡假胜地芭达雅,韩国兄弟泰京和在熙住在一所高级别墅裡,哥哥泰京因身怀重症到泰国养病,弟弟在熙则陪同照顾他,年轻男子旻杰的突然造访,却打乱他们的平静生活。原来在熙服役时认识了旻杰的哥哥旻勳并与他交往,在熙退伍后,旻勳在军中受到霸凌而选择自杀,旻杰对此耿耿于怀,于是前往泰国寻找在熙。 起初旻杰深信在熙必须对哥哥的死负责,但在朝夕相处后,他才发现在熙深爱著哥哥,更与在熙互生好感,爱意在热带幻夜中逐渐萌芽。知道自己来日不多的泰京,看出旻杰和在熙两情相悦却充满顾忌,进而想帮弟弟留住旻杰,内心却感到无法言喻的酸楚。互相抚慰的三人建立起一段微妙关係,他们必须透过瞭解、原谅与成全,才能走出自己的伤痛。
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纳卢拜·库诺
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故事发生在阳光和煦风景壮美的普吉岛,德(普提蓬·阿萨拉塔纳功 Billkin Putthipong Assaratanakul 饰)万万没有想到的是,自己竟然在这里和多年未曾联系的幼时好友欧儿(克里特·安努艾德奇康 Krit Amnuaydechkorn饰)重逢了,两人都打算考 当地的一所语言学校。曾经,他们因为一场误会而在内心里将彼此拉黑,如今,这意外的重逢能否使两人的友情恢复如初呢? 德提出帮助欧儿补习,在此过程里,脱离了从前的幼稚和青涩的两人都发现,数码宝贝3目录他们的内心里有些说不清道不明的感情正在蠢蠢欲动。然而,德一直都在追求班上另一个女生,长达两年之久,而欧儿也爱慕着另外一个男生,他们都选择将这份悸动埋藏在心底。